Wednesday, August 7, 2019

Albuquerque Art Showcase, BOOTH A4











ABQ Art Showcase Location:
Albuquerque Convention Center, Southwest Exhibit Hall


Open hours:

Friday, August 16 from 10am until 6pm $10 admission
Saturday, August 17 from 10am until 5pm $10 admission
Sunday, August 18 from 10am until 5pm Free- includes Local Treasure Reception
Monday, August 19 from 10am until 4pm Free- includes Local Business Brunch

Find out more: https://www.abqartshowcase.org


Robert M. Ellis

Visit our gallery location during the event:

April Price Projects Gallery/ Design Studio NM LLC
201 3rd Street NW, Suite G, Abq. NM 87112


Extended Gallery Hours:
August 16-August 19: 9:30 am-6:30pm daily


Contact: April 505.573.0895  Brianne 505.850.2307

*Looking for parking? We offer courtesy parking for the Hyatt Hotel garage, entrance off 3rd Street and Copper, just stop into our space to validate*




Alan Paine Radebaugh








Our booth, A4 if now set up! Come by and see us.










Our booth will feature works by:

Alan Paine Radebaugh
  •  Limited edition giclee prints 
  • of original oil paintings (for the first time ever)! 
  • Original Oil Paintings 
Robert M. Ellis
  • Monoprints
  • Lithographs
  • Original Oil Paintings

Saturday, June 22, 2019

Perspectives: Alan Paine Radebaugh and Robert M. Ellis

Perspectives 

Alan Paine Radebaugh and Robert M. Ellis

Exhibiting August 2 - October 5, 2019

First Friday Opening Reception: August 2, 5-8pm

Check out our booth! Happening during the gallery exhibit:
Albuquerque Art Showcase: August 15-19, 2019
Location: ABQ Convention Center, Southwest Exhibit Hall

First Friday's: September 6 & October 4, 5-8pm

Artist talk: Coming Soon


Alan Paine Radebaugh, King's Cake,  oil on canvas, 50" x 120"

“Perspective” is the filter by which experience binds time and place, creating the impression in which conscious and unconscious emotional value generates memory. “Perspective” as an artistic device is utilized to transfer the memory of three dimensions onto a two-dimensional plane.

Robert M. Ellis, View of Ranchos Church #4, oil on canvas, 78" x 144"
When exposed to the northern New Mexico landscape of Taos, Ellis admitted he was so awed by the landscape he could not paint it. “Eventually”, Ellis remarked, “the fields became like floorboards—they had that perspective and angle to them.” Like the floorboard receding into a room, Ellis’ two-point perspective landscapes vanish into the corners of geometric canvases and compositions resulting in an architectural approach to landscape painting.  Ellis’ perspective places the audience grounded by the expansive fields while floating in the sky above.


For years as a painter, Alan Paine Radebaugh was challenged by the vastness of landscape. To paint the boldness and hugeness of the mountains and plains of North America, he tightly-framed and intensified his vision of the landscape. He viewed nature in small abstract shapes and painted the geology and flora of the land in fragments.  Overtime, using his familiar brushstrokes, he built these fragments into large abstracted landscapes.  Currently, his landscapes are more representational. Yet, if one views these new paintings up close, one sees that the images are still fragmented and built of Radebaugh’s familiar abstract shapes.  Using one-point perspective and rich painterly surfaces, Radebaugh invites his audience into his landscapes.


More about the Artists:
Alan Paine Radebaugh, GSL 10, GSL 12, GSL 11, Oil on canvas, 36" x 28"



Wednesday, April 17, 2019

Constructed Reality

Constructed Reality

Exhibiting May 18 - July 13, 2019

Featuring: Cindy Dominguez, Daniel Peebles, Miguel Gandert, and Mary Zaremba


Opening Reception: Saturday, May 18, 5-8pm

Artist Talk: Friday, June 21, 5-7pm



Cindy Dominguez, Ditz and Dahs 1 
Miguel Gandert, Chicawales, Jesus Maria, Mexico
 In the age of the Selfie, we document our lives, our presence, our image; we are obsessed.  These outstanding photographers have been pursuing a broader photographic image of humanity and cultural concerns for many years through their unique Constructed Realities. However, on many levels, their work, as the selfie, records our presence and relationship with our environment, defining our obsession with human image.

Professor Miguel Gandert is a Distinguished Professor Emeritus of Communication and Journalism at the University of New Mexico.  His recent work explores the contrast between Hispanic life in Spain, Latin America, Old and New Mexico.  Working primarily with black and white photography, his documentaries, installations and photographs form a strong art form and a way of expressing complex cultural relationships.

Daniel Peebles explores issues of self and the individual’s perspective in an isolated and ambiguous world.  His photographs depict individuals within a family but, through his observation, investigate the complicated relations between human beings.  He creates a set within their environment, an impromptu theater production where he explores what makes us human: our frailties, our strengths, our loneliness, our intimacies and our absurdities in the psychological minefield of family.
Daniel Peebles, Subterranean
Mary Zaremba, Silk Series  #1

Cindy Dominguez marries traditional photographic techniques with contemporary digital procedures, printmaking, and sewing to create clean, careful constructs that emphasize design over storytelling.  While adding elements of familiarity to her photographs to create understanding with the viewer, she also hopes her work surprises and confuses.

For this exhibit, Mary Zaremba is exploring a photographic installation that combines printing her images as silk banners.  Her inspiration is drawn from the earliest existing depictions of feminine forms throughout civilization. Her images reflect lane shifts, layering, and masks which contribute to the perceived ambiguity of the seen and unseen.

Cindy Dominguez, Tribute to Alaia 2 






















Visit the artists for more information: